Finding “home” despite a fly-in, fly-out lifestyle.

Blinco St Residence. Photography by Bo Wong.

Brick floors, creamy tones and light-filled rooms helped an offshore-worker adjust to their city-based lifestyle.

“The client wanted to kick off his shoes, walk in off the beach, have his friends over without worrying too much,” says Philip Stejskal of Philip Stejskal Architecture. The client – an offshore fly-in-fly-out worker – wanted a house that helped him adapt to his city-based life every second month. Philip Stejskal Architecture worked with the client to create an experience that facilitated the transition and adjustment in lifestyle and mindset while still being low-maintenance.

From the rear garage, a back gate to the house provides access to a protected porch, and a solid front door opens to the narrow entry. Brick floor and walls and dark stained plywood cabinetry set the tone for the interior of the house and a pond is visible through a frameless glass door. The design team selected Austral Bricks Indulgence in Moscato, a grey-coloured brick with a smooth, creamy tone. “We wanted a grey brick, which is hard to find in Perth. Moscato was in budget and found locally,” he says. “The Indulgence range also has some variation in it, which was welcome.”

The veranda of the home opens out onto the garden. Photography by Bo Wong.

Inside, the kitchen, dining, and living area open out to the front garden and streetscape. The Moscato brick on interior and exterior walls creates a brick base for the house and provides thermal mass and acoustic privacy. A section of the wall between the living area and staircase has alternating rows of bricks turned 90 degrees to create perforations that allow natural light into the stairwell. It also balances the recessed joinery unit on the other side of the entrance. “The project architect, Yang Yang, had the idea to turn the brick 90 degrees as it avoids changing the bond pattern,” Philip explains. “We also did the same for the blade walls at each end of the veranda, which effectively diminishes their visual impact. However, as these walls are double leaf, there is no protruding brick.”

The galley-style kitchen with built-in seating is a more intimate space. Photography by Bo Wong.

In contrast to the light and lofty living area, the galley-style kitchen and built-in dining area is a dimly lit and more intimate space. This is created through the one-storey ceiling height, and darker-coloured finishes, including stained timber joinery, black benchtop and glazed brick splashback made with Austral Bricks Burlesque in Charming Black. “We wanted to integrate the splashback into the wall by using glazed bricks. Charming Black then complements the moody interior and matches the mortar colour to create a monolithic look. The builder, D&L Constructions, suggested ridge mortar, typically used for tiled roofs, to point up the brick joints, which worked perfectly,” Philip explains. The splashback stretches the length of the dining and kitchen wall, wrapping around the corner to the back door where it appears as a thick band between the grey Moscato bricks.

The spiral staircase. Photography by Bo Wong.

In the nexus of the house, the spiral staircase is enclosed by a rounded brick wall. “The main issue was feathering the curve into the adjoining straight walls. The bricklayers had to chop the back out of the bricks from both sides,” says Philip. The staircase leads up to the first-floor bedrooms and then to a roof-level terrace. In contrast to the darker, robust and grounded material palette downstairs, upstairs is light and bright with white walls, white tiles, and limed plywood.

Certainly, the choice of low-maintenance and durable materials serves practical and for budgetary reasons, but they are used to create a distinctive aesthetic and considered spatial experience. By playing with effects of light and dark, solidity and openness, public and private space, the material palette responds to the local context and climate and the client’s brief.

Article by brickworksbp

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